THINGS WE LOVE: MOMA PS1 KRAFTWERK RETROSPECTIVE
Over eight consecutive nights, MoMA presents a chronological exploration of the sonic and visual experiments of KRAFTWERK, with a live presentation of their complete repertoire in the Museum's Marron Atrium.
Seven years ago, German electronic collective, KRAFTWERK played an unforgettable gig at the Hammerstein Ballroom in Manhattan.The massively influential group hadn’t returned…until now. Over eight consecutive nights, MoMA presents a chronological exploration of the sonic and visual experiments of Kraftwerk with a live presentation of their complete repertoire in the Museum’s Marron Atrium. Each evening consists of a live performance and 3-D visualization of one of Kraftwerk’s studio albums—Autobahn(1974), Radio-Activity (1975), Trans-Europe Express (1977), The Man-Machine (1978), Computer World (1981), Techno Pop (1986),The Mix (1991), and Tour de France (2003)—in the order of their release. Kraftwerk will follow each evening’s album performance with additional compositions from their catalog, all adapted specifically for this exhibition. This reinterpretation showcases Kraftwerk’s historical contributions to and contemporary influence on global sound and image culture.
In the 1970s and early 1980s, Kraftwerk’s distinctive sound was revolutionary, and has had a lasting effect across many genres of modern music. The signature Kraftwerk sound combines driving, repetitive rhythms with catchy melodies, mainly following a Western Classical style of harmony, with a minimalistic and strictly electronic instrumentation. The group’s simplified lyrics are at times sung through a vocoder or generated by computer-speech software. Kraftwerk were one of the first groups to popularize electronic music and are considered pioneers in the field.
In recent years, starting with their performance at the Venice Biennale in 2005, Kraftwerk has been invited into the visual arts context, festivals, and museums, most recently performing at Lenbachhaus Kunstbau in Munich. In contrast to all former presentations, where Kraftwerk videos, visuals, or the “robots” were presented in a museum context but performances were staged as concerts, MoMA is realizing a groundbreaking new display: the first synthetic retrospective to present, simultaneously and in one location, Kraftwerk’s complex layers of music, sound, videos, sets, and performance as a total work of art.
A presentation of Kraftwerk’s historical audio and visual material is on view at MoMA PS1, April 10–May 14, 2012.
Tickets are $25.00 and will go on sale to the public on Wednesday, February 22, at 12:00 p.m., only at MoMAKraftwerkTickets.showclix.com. There is a two-ticket limit per person for the entire series. Tickets will be distributed exclusively via will call, and photo ID is required.
— Posted by GrandLife Hotels, February 15, 2012
TAGS
Art, Electronic Music, Kraftwerk, MoMA, MoMa PS1, Music, Robots, Venice Biennale
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